Tom Hanks embodies Chesley “Sully” Sullenberger in much the way he became Walt Disney. Hanks and Aaron Eckhart (The Dark Knight) as co-pilot Skyles are good partners in this movie. Eastwood does not develop any of the other characters and did not use Laura Linney’s talent–as Sully’s wife, she is seen mostly tearful and on the phone. Anna Gunn (Breaking Bad), as one of the NTSB investigators, is also pretty one dimensional. The movie tells a story we know and still manages to create drama and deliver a hero. Be sure to stay for the credits (surely this goes without saying).
Another movie that feels like a play is Amazon’s first feature film adapted from Jane Austen’s unfinished epistolary novella, Lady Susan. Whit Stillman (Metropolitan 1990, Barcelona 1994) kept the dialog sounding true to period, witty with barbs. Kate Beckinsale, as Lady Susan Vernon, delivers beautifully. The plot is much like a Shakespearean comedy. Lady Susan is a widow without means whose attempts to score a new hubby (Xavier Samuel as Reginald De Courcy) are almost undone when the intended becomes interested in Lady Susan’s daughter, Fredica (Morfydd Clark), who is much closer to his age. Solid performances by Stephen Fry, Justin Edwards, and Chloë Sevigny.
I don’t remember this film in 2014, but it’s worth watching. Maggie Smith, Kevin Kline, and Kristen Scott Thomas star in respected playwright Israel Horowitz’s directorial debut. Horowitz adapted his own play for the screen and it feels like a play. Kline arrives in Paris to check out the apartment he inherited upon his estranged father’s death to find that Smith has a sort of life estate in the apartment due to a quirk of French real estate law. Smith delivers the acerbic and witty lines we’ve come to expect from the Dowager Countess. Kline is a perfect scoundrel whose glib confidence gives way to a darker side. Scott Thomas, Smith’s dutiful daughter, is rightfully skeptical of Kline’s motives. As you might guess, these three have more in common than the apartment.
[For The Movie Snob’s rather different opinion about this movie, click here.]
After the news blip recently about President Obama appearing on Jerry Seinfeld’s web series Comedians In Cars Getting Coffee, I had to check it out. Beware, you may get sucked in watching episode after episode of Seinfeld (who is apparently a car aficionado) describing a (usually) vintage car that he thinks suits the personality of his guest. Then he picks up the guest in that car and they drive somewhere for coffee. The show is much like Seinfeld–about nothing–just a couple of people hanging out. Yet, it is delightfully entertaining. Some episodes are better than others. Be sure to check out the episodes with Chris Rock, Julia Louis-Dreyfus, Sarah Jessica Parker, and, of course, Obama.
I saw Joy recently and would give it a solid B. The third movie directed by David O. Russell starring Jennifer Lawrence, Bradley Cooper and Robert De Niro has much the same feel as Silver Linings Playbook and American Hustle. This movie is loosely based on the life of Joy Mangano, inventor of the miracle mop (among other items) that sold like hotcakes on QVC and later HSN (Home Shopping Network). Ms. Mangano had consulting credits and apparently approved of the film but the story deviates quite a bit from her life. Joy (Lawrence) pitched her mop to a QVC exec (Cooper) after a cash infusion to make parts for the mop by her father’s (De Niro) girlfriend played by Isabella Rossellini. Russell throws out every imaginable obstacle to thwart Joy’s success but Lawrence’s Joy isn’t down for long before she overcomes. I found the movie a little long and slow in parts but it made me curious enough to Google Joy Mangano–and learn enough to wonder if the movie would have been better if it had stuck closer to her story.
Downton Abbey‘s upstairs (Cousin Rose—Lily James in the title role) and downstairs (Daisy the kitchen maid—Sophie McShera as step-sister Drisella) meet in Kenneth Branagh’s live-action and somewhat diverse Cinderella. This visually stunning, mostly traditional telling of the classic fairy tale is a crowd pleaser for young and young at heart. Development of Ella’s back story adds substance to this Disney princess and explains her super power—kindness. Cate Blanchett is the only choice for the wicked step-mother and she delivers beautifully. The King (Derek Jacobi) gives Prince “Kit” Charming (Richard Madden—Game of Thrones) the go-ahead on his deathbed to follow his heart rather than marry for advantage. Helena Bonham Carter is the quintessential Fairy Godmother—if only she had a little more screen time. The Oscar for costume design is in the bag for Sandy Powell. The computer animated transformation of pumpkin and mice to horse-drawn carriage is captivating. The lizards turned footmen are particularly clever. The highly anticipated Frozen short before the movie will delight the Anna–Elsa fans.
If you’ve been mourning the end of Breaking Bad, Vince Gilligan’s spin off is pretty good. Saul (Bob Odenkirk, Nebraska) has a new identity as the manager of a Cinnabon kiosk in a mall. The series opens in black and white as Saul tends store. At the end of a long day in his dumpy apartment, Saul reminisces about the good old days–puts in a videotape of his old TV commercials. The flashback starts–and black and white fades to color as we learn how small town struggling lawyer James McGill became Saul the lawyer to drug dealers. This series is the same black comedy and has the same pacing as Breaking Bad. You’ll recognize some familiar faces. Definitely worth watching if you liked BB.