New review from The Movie Snob.
War for the Planet of the Apes (B). And so the new Apes trilogy comes to an end. (Spoilers of the first two films follow.)
My favorite was the first one, Rise of the Planet of the Apes, in which we see how a medical experiment gone wrong makes apes superintelligent and kills most of humanity. The middle installment, Dawn of the Planet of the Apes, was a solid if grim movie in which the apes and the surviving humans try to co-exist, with middling-at-best results.
The finale turns the grimness up to 11 as a human military band led by the Colonel (Woody Harrelson, The Edge of Seventeen) seems to be intent on wiping out the apes. Ape leader Caesar (Andy Serkis, Inkheart) decides to send most of his “people” on a quest for a safe haven while he and few trusted lieutenants set out to find and distract the Colonel. Along the way they pick up a sweet mute human girl, whom they dub Nova (Amiah Miller, Lights Out), and then another talking ape, a not entirely sane chimpanzee who calls himself “Bad Ape” because that’s what his human captors called him before the plague. As voiced by Steve Zahn (Sunshine Cleaning), Bad Ape provides some much-needed comic relief, because this War is dark dark dark. But it’s well-made, on the whole. (I did roll my eyes a little in the middle part when the Colonel momentarily turns into a James Bond villain and gives Caesar a massive lecture/monologue to explain why he’s doing what he’s doing and what’s going to happen for the rest of the movie.)
From the desk of The Movie Snob.
Dunkirk (B+). Having recently read a newish history of WWII, I definitely wanted to see Christopher Nolan’s movie about the 1940 evacuation of 338,000 Allied troops from the beaches of Dunkirk, France. It’s a pretty effective ground-and-ocean-eye view (except for a few scenes involving a heroic RAF fighter pilot played by Tom Hardy, Mad Max: Fury Road) of those events. Much of the movie follows a nameless British soldier who is desperate to escape back to England and is not entirely scrupulous about how to do it. 860 civilian vessels took part in the evacuation, and so we also get to follow one of them, a smallish boat called Moonstone captained by an older gent named Mr. Dawson (Mark Rylance, Bridge of Spies). Things get tense fast when Dawson picks up a lone soldier from a wrecked ship, and the shell-shocked soldier (Cillian Murphy, The Dark Knight) freaks out when he realizes the boat is heading towards Dunkirk instead of England. Kenneth Branagh (My Week with Marilyn) pops up in a few scenes as a high-ranking British guy stuck on the beach with his army. I enjoyed it. For another view, calling it an “astonishing filmmaking achievement and an epic narrative failure,” you can click here.
A new review from The Movie Snob.
Baby Driver (B-). Hm, I didn’t know until just now that this highly rated movie (Metacritic score 86) was directed by the same fellow (Edgar Wright) who directed Shaun of the Dead, Hot Fuzz, and The World’s End. It’s a crazy little movie about a getaway driver savant called Baby (Ansel Elgort, The Fault in Our Stars) who works for a criminal mastermind called Doc (Kevin Spacey, L.A. Confidential). There’s a very good and elaborate car chase at the beginning, and the climactic pursuit at the end seems to go on forever, and in between there’s not too much of note. Lily James (Cinderella) plays the sweet li’l waitress who steals Baby’s heart, and Jamie Foxx (Dreamgirls) plays a crazy gangster named Bats. Jon Hamm (TV’s Mad Men) has a lot of screen time as another gangster, but I’m afraid I will always see Don Draper whenever he’s on screen. Eiza González (Jem and the Holograms) makes an impression as a gangster called Darling. On the whole, an okay and disposable summer movie.
The Movie Snob gets to the party late.
Wonder Woman (B). This movie has been riding high at the box office, so everyone who’s going to see it has probably already done so. Anyhoo, I finally got around to seeing it, and I liked it just fine. The plot struck me as kind of wacky–the Greek god of war Ares is supposedly a real being (god?) and he is out there on the loose stoking mankind’s warlike passions. The Amazons are hiding out on some paradisiacal Mediterranean island, but when American WWI pilot Steve Trevor (Chris Pine, Into the Woods) crash lands just off shore and brings tidings of the carnage of total warfare, beautiful Amazon princess Diana (Gal Gadot, Batman v. Superman) decides she must leave the island with him so she can track down and kill Ares. There is some amusing fish-out-of-water stuff as Diana makes her way through old-fashioned WWI-era London. Then there are some mean Germans that Steve and Diana have to confront (at the front) in the final reel. All in all, this is a perfectly competent and enjoyable superhero movie, and it didn’t even feel long at 2 hours and 21 minutes. And I must say that Gal Gadot is, like, supernaturally beautiful in the role of Wonder Woman. I certainly noticed her in her small role in Batman v. Superman, but here she just owns the screen. If I were caught up in her magic lasso, I might even have to say she’s more beautiful than Nicole Kidman.
A new review from The Movie Snob.
Alien: Covenant (C-). Looking back, I see that I liked Prometheus quite bit and had high hopes for the next Alien prequel. Alas, those hopes are far from fulfilled in the latest flick about the almost-indestructible critters with a taste for human flesh. The Covenant is a large spaceship carrying a huge load of people in cryogenic sleep for a 7+ year voyage to a planet they hope will be hospitable enough for them to colonize. An accident damages the ship and leads to the waking of its small human crew. They receive a communications signal that lures them off course to a much closer, and previously unknown, habitable planet. Who could possibly be way out here? The survivors of the Prometheus expedition, perhaps? Once they arrive, it’s only a matter of time (a very short time) before the humans start getting turned into alien chow, and we don’t know or like them enough to really care that much. I was annoyed that some of the biological “facts” I thought we knew about the aliens from the earlier films seem to be disregarded in this one. The humans do all sorts of stupid things to earn their gruesome ends, and despite all the mayhem only one scene struck me as really, memorably horrifying. Billy Crudup (Big Fish) plays the ineffectual captain of the Covenant, but the real stars are Katherine Waterston (Sleeping with Other People) as the Sigourney Weaveresque heroine and Michael Fassbender (12 Years a Slave) playing both android David from Prometheus and android Walter from the Covenant. I’d say this movie is for diehard Alien fans only.
P.S. The movie has lots of ponderous philosophical window-dressing too; for more on that you can read Steven Greydanus’s review here.
A new movie review from The Movie Snob.
Logan (A-). Yes, this is an awfully high grade to give a rated-R comic-book movie with all sorts of severed heads and spurting arteries and such. But what can I say? I thought this movie was excellent. Hugh Jackman (Scoop) returns for his millionth turn as Wolverine, the irascible, indestructible mutant with the retractable claws. Only now he’s not feeling so indestructible. The year is 2029, and he is old and sick and not regenerating like he used to. He’s lying low somewhere near the U.S.-Mexico border taking care of Professor Charles Xavier (Patrick Stewart, Excalibur), who is not only old and sick but also having seizures that cause all sorts of mayhem for everyone around him because of his uncontrolled psychic powers. All the other mutants we’ve come to know and love in the other X-Men movies are apparently dead, and no new mutants have been born in many years. Wolverine is just trying to scrape together enough money in his job as a limo driver so he can buy a boat and sail out to sea with Professor Xavier (thereby saving mankind from the effects of Xavier’s seizures, I think). Then everything goes sideways when a desperate woman finds Wolverine and begs him to transport a young girl to Canada—a girl with mutantly powers awfully reminiscent of Wolverine’s. Of course, there are bad guys hot on her trail, and the movie quickly turns into a quasi-remake of Children of Men (which is not a bad movie to borrow from, if you’re going to borrow). Despite all the crazy, bloody fight scenes, the movie really worked for me as a meditation on mortality and the meaning of family. And newcomer Dafne Keen does a nice job as the mysterious little girl with anger-management issues.
P.S. I forgot to mention this when I initially posted this review–I think this is the first time I have ever seen a movie in the United States that features Spanish subtitles. Some of the movie was in Spanish, and those parts had no subtitles. I wonder if those parts were subtitled in English in other showings?
A new review from The Movie Snob.
Guardians of the Galaxy Vol. 2 (D). The first Guardians movie was a surprisingly fun, comic space opera. The second, unfortunately, is neither fun nor funny. The relentless special effects and earsplitting soundtrack add up to, as another critic put it, a “visual and aural assault”—and one that lasts over two hours, for good measure. There’s a lot going on here, but the main plot involves the encounter between affable space scoundrel Peter Quill (Chris Pratt, The Five-Year Engagement) and his long-lost father Ego (Kurt Russell, Big Trouble in Little China). It’s always great to see Russell doing his amiable big-lug routine, but even he can’t save this bloated trainwreck. Almost lost in the clutter are nice supporting performances by Michael Rooker (Tombstone) as the blue outlaw who raised Peter and Elizabeth Debicki (The Great Gatsby) as a beautiful gold alien whose genetically perfect species is remarkably inept at tracking down and blowing up the Guardians. Skip it.