From the desk of The Movie Snob.
Aquaman (D). Nicole Kidman (The Killing of a Sacred Deer) stars in a beautiful romance about two star-crossed lovers. She’s royalty from the undersea kingdom of Atlantis; he’s a humble lighthouse keeper in Maine. One stormy night in 1985 he finds her on the shore, badly wounded in the course of escaping from an arranged marriage to some king or other. He nurses her back to health, she eats one of his goldfish, they fall in love, and a baby boy is born. But alas! The Atlanteans catch up with her, and to protect her husband and her son she must return to the ocean and become a fugitive. But, she tells her husband, if she ever finds a way to return to him, she will appear at the end of their dock at sunrise. She swims away. The end.
Ha! If only! Unfortunately the director spends only about ten minutes on the Kidman love story and then assaults us with over two hours of sublimely ridiculous blather about the superhero Aquaman (Jason Momoa, TV’s Baywatch: Hawaii) and his quest to recover the super-duper magic trident of Old King Blizz Blazz, take his rightful place as king of Atlantis (which involves one-on-one combat strongly reminiscent of Black Panther), and stop an all-out war between the Atlanteans and the human race. On the plus side, Aquaman does have a gorgeous sidekick in the person of Princess Mera (Amber Heard, The Rum Diary). On the minus side, there is everything else. And, by the way, Princess Mera seems every bit as competent as fishboy. Why can’t she grab the golden trident and take care of everything? Is it just because she’s a girl? For all their awesome technology, the Atlanteans sure aren’t very woke.
P.S. If this movie means that Nicole Kidman is going to start appearing at comic cons, I take it all back.
A movie review from The Borg Queen.
Bumblebee (B+). After the original Transformers movie (2007), this would easily be the next best movie in the bunch. Directed by Travis Knight (Kubo and the Two Strings), this movie takes place in the late 80s as Bumblebee first makes his way to Earth. The movie has nostalgia, humor, heart, a little drama, and just the right amount of action. Hailee Steinfeld (The Edge of Seventeen) does a great job carrying this film. Even my mom liked this movie. Check it out.
A new review from The Movie Snob.
Solo: A Star Wars Story (C-). I saw the original Star Wars when I was about 10 years old, so I should be the perfect audience for an origin story about the coolest dude in a galaxy far, far away: the one and only Han Solo. Sadly, I was bored. I think Alden Ehrenreich (Hail, Caesar!) is probably a good actor, but his Han is unfortunately bland. Emilia Clarke (TV’s Game of Thrones) is pretty but otherwise makes no impression as Solo’s love interest. Donald Glover (The Martian) does a little better as a suave Lando Calrissian, but I could never forget I was watching Donald Glover, who was so funny on TV’s Community. Woody Harrelson adds another major franchise to his collection (Hunger Games, Planet of the Apes), but he doesn’t really give the story any juice either. In sum, Solo is a forgettable movie. My favorite pop culture podcast, The Weekly Substandard, has devoted two whole episodes to Solo, and I’m looking forward to hearing what those critics have to say about it.
A new review from The Movie Snob.
Annihilation (B-). This new sci-fi movie starring Natalie Portman (Thor) is loosely based on a novel from just a few years ago. I think I liked the book better (see my review here). As in the novel, a weird phenomenon kind of like a dome has descended on some remote, swampy area (Florida maybe?), and weird stuff is going on inside. The government occasionally sends a team into the mysterious area to investigate. (Almost) no one ever comes back. Portman plays a soldier–biologist named Lena who joins the latest mission, a five-woman expedition led by psychologist Ventress (Jennifer Jason Leigh, Margot at the Wedding). Once they venture into Area X, it turns into sort of a horror movie, so don’t go if you’re squeamish! Anyhoo, I didn’t like it as well as director Alex Garland’s previous effort, Ex Machina, but Annihilation still held my attention.
I saw Annihilation at a new Alamo Drafthouse here in Dallas, and I caught most of the pre-show. It included a couple of old music videos of a children’s rock band that featured . . . a nine-year-old Natalie Portman! It was pretty entertaining.
A new review from The Movie Snob.
Black Panther (C). I don’t know, maybe it’s just comic-book-movie fatigue, but this flick left me feeling like I’d just watched a 135-minute-long video game. Chadwick Boseman (Captain America: Civil War) stars as King T’Challa of the poor African nation of Wakanda. Only it’s not really poor; it’s sitting on a mountain of an alien metal called vibranium and has mastered all sorts of advanced technology, including some sort of cloaking device to conceal it all from the outside world. But bad guys in the outside world are trying to get a hold of some vibranium, so T’Challa (who is also superhero Black Panther) and a few sidekicks leave Wakanda to stop them. And then they have to deal with another bad guy after the first bad guys. It all felt so weightless that I just couldn’t bring myself to care about any of it. Also stars Lupita Nyong’o (12 Years a Slave) and features Angela Bassett (How Stella Got Her Groove Back), Forest Whitaker (Rogue One), and Martin Freeman (The Hobbit: The Desolation of Smaug).
The Movie Snob finally makes it back to the megaplex.
Jumanji: Welcome to the Jungle (C). Ugh! I’m on Day 10 of a cold. So I looked for some cinematic comfort food, and I settled on this sleeper hit that’s still hanging on from the Christmas season. According to IMDB, it has grossed about $370 million domestically on a $90 million budget, so not bad. I didn’t see the 1995 Robin Williams version, so I had no expectations (except that Dwayne “The Rock” Johnson would be likable, which he of course was). It was a mediocre experience—utterly predictable, but with a few amusing scenes here and there. Four high schoolers get sucked into a video game, where they are given new bodies reflecting their in-game avatars. It’s somewhat entertaining that they are cast against type: the nerd becomes beefy Johnson (Moana), the jock becomes diminutive Kevin Hart (The Five-Year Engagement), the awkward loner girl becomes Lara-Croft-esque Karen Gillan (Guardians of the Galaxy), and in the oddest twist the beautiful social-media queen becomes . . . Jack Black (Gulliver’s Travels). They have to complete a quest to “win the game” and escape back into the real world. The suspense is less than minimal, but as I mentioned there are a few laughs here and there. And Gillan is very attractive, so there’s that. Rated PG-13 for adventure action, suggestive content, and some language (most of the latter two arising, I believe, from the situation of a high-school girl’s consciousness getting stuck inside a middle-aged guy’s body).
The Movie Snob heads for a galaxy far, far away.
Star Wars: The Last Jedi (B-). Okay, Episode VIII in the ongoing space/soap opera about the Skywalker family is here, and the critics are generally loving it. Put me down with the small band of dissenting critics. On the plus side, it is better than the last installment, The Force Awakens, if only because it is not a slavish remake of an earlier movie. On the down side, it is still somewhat derivative of its predecessor The Empire Strikes Back, with an evil empire on the march, a rebellion on the run, and a would-be Jedi seeking training from a wise mentor. Worse still, it is a solid two-and-a-half hours long, with as many false endings as The Return of the King from the Lord of the Rings trilogy. Still, I appreciated that writer–director Rian Johnson did try to throw some new wrinkles at us. Mark Hamill (Star Wars: A New Hope) is a surprisingly crotchety Luke Skywalker. The late Carrie Fisher (When Harry Met Sally) presents a stoic Rebel leader but doesn’t really have that much to do. And our quartet of new main characters (Rey, Finn, Kylo Ren, and Poe Dameron) gets split up for most of the movie, which means a lot of jumping back and forth. I think the movie would have been much better if the first half had been trimmed a bunch, and the exciting stuff at the end stretched out a bit. But it’s already made almost a billion dollars worldwide, so what do I know?