The Movie Snob finally makes it back to the megaplex.
Jumanji: Welcome to the Jungle (C). Ugh! I’m on Day 10 of a cold. So I looked for some cinematic comfort food, and I settled on this sleeper hit that’s still hanging on from the Christmas season. According to IMDB, it has grossed about $370 million domestically on a $90 million budget, so not bad. I didn’t see the 1995 Robin Williams version, so I had no expectations (except that Dwayne “The Rock” Johnson would be likable, which he of course was). It was a mediocre experience—utterly predictable, but with a few amusing scenes here and there. Four high schoolers get sucked into a video game, where they are given new bodies reflecting their in-game avatars. It’s somewhat entertaining that they are cast against type: the nerd becomes beefy Johnson (Moana), the jock becomes diminutive Kevin Hart (The Five-Year Engagement), the awkward loner girl becomes Lara-Croft-esque Karen Gillan (Guardians of the Galaxy), and in the oddest twist the beautiful social-media queen becomes . . . Jack Black (Gulliver’s Travels). They have to complete a quest to “win the game” and escape back into the real world. The suspense is less than minimal, but as I mentioned there are a few laughs here and there. And Gillan is very attractive, so there’s that. Rated PG-13 for adventure action, suggestive content, and some language (most of the latter two arising, I believe, from the situation of a high-school girl’s consciousness getting stuck inside a middle-aged guy’s body).
DVD review from The Movie Snob.
Metropolitan (A-). Well, your reviewer was feeling a bit under the weather, so I wanted something light and cheery. I had fond memories of this 1990 indie flick but hadn’t seen it in years, so I pulled down my unwatched Criterion Collection DVD and gave it a spin. Suffice to say, it was as good as I remembered it being. It is about eight young people—four girls and four guys, early college-age, as best I can tell—who gather almost every night in Manhattan over one Christmas break to go to various debutante parties or balls or whatever they are. We don’t see too much of the parties themselves—the focus is on the after-parties, where the youngsters earnestly discuss all sorts of things you might not expect, like Jane Austen, the existence of God, and the relative merits of the bourgeoisie. Hm, I’m not really selling the movie very well. There are plenty of romantic complications too as sweet and inexperienced Audrey gets a crush on group newcomer and professed socialist Tom, who is still hung up on his ex-girlfriend Serena, who was last known to be dating the repellent Rick Von Sloneker. And the dialogue really is very funny, at least if you think it’s funny to hear lines like “Ours is probably the worst generation since the Protestant Reformation” delivered by very young people with drop-dead seriousness.
Writer-director-producer Whit Stillman went on to make two other excellent films in the 1990s, Barcelona and The Last Days of Disco, (starring Chloë Sevigny and Kate Beckinsale). Enough people took notice of his work to result in the 2002 publication of a book called Doomed Bourgeois in Love: Essays on the Films of Whit Stillman. Stillman then went quiet for a long time. Then in 2011 he released Damsels in Distress, which I thought was good but not as good as his prior work, and then in 2016 he released the better Love & Friendship. IMDB.com doesn’t show that he has anything new in the works, but I’m holding out hope. If you are new to his work I recommend you start at the beginning and give Metropolitan a try!
A book review from The Movie Snob.
The Mountain of Kept Memory, by Rachel Neumeier (2016). My cousin Rachel has written another winning fantasy novel. This one centers on a brother and sister, Gulien and Oressa Madalin. They are the children of Osir Madalin, the remote and ruthless king of Carastind. But the kingdom is beset by enemies, and it seems that Osir has lost the support of the Kieba—a mysterious sorceress who lives in a mountain far to the east and who formerly aided Carastind in times of need. Osir seems disinclined to try to heal the rift, so Gulien and Oressa—who are young adults but sheltered and inexperienced in the ways of the world—take it upon themselves to seek the Kieba’s aid. This is an exciting tale, and Neumeier keeps the reader guessing about some of the main characters’ true intentions and agendas. Highly recommended for lovers of fantasy and magic!
A new review from The Movie Snob.
The Greatest Showman (B). This musical has done only so-so with the critics (Metacritic.com score 45/100 last time I checked), but I must say that I was entertained. The versatile and (to me) eminently likable Hugh Jackman (Logan) stars as P.T. Barnum in a film that is apparently very loosely based on the real Barnum’s life. It is exceptionally sentimental, setting up all sorts of underdogs for us to root for—the impoverished child Barnum in love with the daughter of a rich meanie, the slightly less impoverished adult Barnum hatching his first scheme to entertain the masses, the gaggle of differently abled people (unkindly called “freaks” by some characters) Barnum recruits for his show, and even an inter-racial potential couple. There are lots of songs, and I must say they mostly sounded kind of the same to me. And the big song-and-dance numbers featuring Barnum’s performers resemble the big song-and-dance numbers you might see on “Dancing with the Stars,” and the lights and noise pretty well bludgeon you into submission. Michelle Williams (Oz the Great and Powerful) isn’t given much to do as Barnum’s wife, but Zac Efron (Neighbors) and the formerly unknown to me Zendaya (Spider-Man: Homecoming) have nice supporting roles and a nice musical number together. If you don’t mind a little sap and a little schmaltz, I say give The Greatest Showman a chance.
A DVD review from The Movie Snob.
The 39 Steps (B). Well, I intended to see a movie at the theater today, but I got some bad information from the internet and wound up seeing nothing. So I decided to get some use out of my DVD collection and pulled down The Criterion Collection edition of this 1935 Hitchcock thriller. Robert Donat (Goodbye Mr. Chips) stars as Hannay, an ordinary Londoner caught up in a web of intrigue when he takes a beautiful woman back to his flat one evening and she turns out to be a spy—and gets herself murdered that very night! Suddenly, Hanney is on the run—wanted by the police on suspicion of murder and by sinister spies who are trying to steal British military secrets. On a train to Scotland he has a meet-cute with Pamela (Madeleine Carroll, Secret Agent), and they later team up to try to foil the foreign plot. The film is not terribly suspenseful but has some pleasant romantic-comedy aspects to it. And at 86 minutes, it’s quite efficient. I didn’t watch all the extras that Criterion packed onto the disc, but a short feature about Hitchcock’s film career in England before moving to Hollywood was interesting, and a critic’s discussion of The 39 Steps itself was also interesting and entertaining.
A book review from The Movie Snob.
Wind Sprints: Shorter Essays, by Joseph Epstein (2016). I’ve sung Epstein’s praises in this blog enough before. I just really like his writing style and observations about life, literature, and everything. The pieces in this collection, with only a couple of exceptions, are extremely short—like two pages long. Many of them, I believe, came from Epstein’s contributions to the “Casual” feature in The Weekly Standard magazine, so I had probably read many of them before. Still, it was a pleasure to read them again. If you enjoy good writing, you owe it to yourself to give Epstein a try.
A book review from The Movie Snob.
Commonwealth, by Ann Patchett (2016). A more descriptive title for this recent novel might be “Divorce American Style,” but maybe that didn’t have quite the same ring to it. I was thoroughly engrossed by it. In the first chapter we meet two families, one headed by a cop named “Fix” Keating and the other by a prosecutor named Bert Cousins. Bert meets Fix’s beautiful wife Beverly at a party after the baptism of Fix and Beverly’s baby girl Franny, and things go from there. After the opening chapter, the other chapter bounce around quite a bit chronologically (over several decades) as we see how the Keating and Cousins kids (six in all) fare after their parents’ bad behavior throws them all together. I enjoyed the writing and the story, and I highly recommend it if it sounds like it might be your cup of tea.