David Crosby: Remember My Name

A new review from The Movie Snob.

David Crosby: Remember My Name (B).  I caught this new documentary and learned a few things about music legend David Crosby, who is somehow still alive and making music at 76 despite doing an astonishing amount of drugs up into at least the 1980s.  For example, his father was Floyd Crosby, a photographer who won a Golden Globe for cinematography for High Noon.  He was a founding member of The Byrds, which I should have known but don’t think I did.  He didn’t like The Doors because Jim Morrison was rude to him once.  And none of the other members of Crosby, Stills, Nash and Young are on speaking terms with him.  The film does a good job of conveying the trippy music scene of the 60s and 70s.  But it left me wanting to know more about Crosby’s personal life.  Like, what happened to his brother, who is mentioned as also being into music when they were kids?  And I think he mentioned in passing that he’s not on speaking terms with his daughter.  What’s the story there?  But it wasn’t bad, and I appreciated the efficient 95-minute run time.

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Easy Rider

The Movie Snob takes in another classic(?)

Easy Rider  (D).  I saw this one courtesy of Fathom Events’ classic film series.  I went in knowing virtually nothing about it except that (1) it stars Dennis Hopper (Giant) and Peter Fonda (Ulee’s Gold) and (2) it’s some kind of “hippie movie.”  Boy, is it!  In a quick opening, we see Billy (Hopper) and Captain America (Fonda) make a killing in a cocaine deal in what is apparently Los Angeles.  After that, they saddle up their motorcycles and hit the open road for New Orleans, where they hope to be in time for Mardi Gras.  On their quest, Billy is twitchy and paranoid, while Captain America is laid back and philosophical.  They visit a commune that seems destined for starvation.  They smoke a lot of marijuana.  Most memorably, they are joined for part of their journey by a small-town alcoholic attorney played by Jack Nicholson (The Shining), in what was apparently his break-out role.  The movie gets progressively darker as it goes along, but I won’t spoil the ending despite its being 50 years old this year.  Although it’s a pretty efficient piece of moviemaking–it’s only 95 minutes long–and it got nominated for two Oscars© and several other awards, I couldn’t appreciate it.  I just kept thinking things like Do these guys ever shower?  Or brush their teeth?  What do they smell like after all these days riding motorcycles through and sleeping in the desert?  I was pleased to read critic David Thomson wrap up his review in the book “Have You Seen . . . ?” this way:  “And it is unwatchable–unless you are benefiting from the illegal substances it advocates.”

Funny Girl

Another movie review from The Movie Snob.

Funny Girl  (B).  I was back at the Magnolia Theater this past Tuesday night for The Big Movie — the 1968 musical that was Barbra Streisand’s first movie role.  In fact, I think this is only the second Streisand movie I have ever seen, the first being What’s Up, Doc?, which I saw on network TV a couple of times when I was a kid.  Anyhoo, Funny Girl is a biopic about real life entertainer Fanny Brice, who performed in Ziegfeld’s Follies in the early 20th century.  Streisand turns in a rip-roaring performance as Brice and tied with Katharine Hepburn for the best-actress Oscar™.  Omar Sharif (Dr. Zhivago) co-stars as the suave gambler who sweeps her off her feet.  It was an entertaining movie, but not quite top tier in my book.  It’s two and a half hours long, which is kind of long but not long enough to justify the 15-minute intermission we were forced to sit through!  Anyway, I say it’s worth seeing if you like musicals.

Butch Cassidy and the Sundance Kid

The Movie Snob finally returns to the movies.

Butch Cassidy and the Sundance Kid  (B).  Well, I’m trying to get back into the swing of regular moviegoing, so I decided to see if the Magnolia Theater is still running its classic-movie series on Tuesday nights.  Lo, it is, and I caught this 1969 Western this past Tuesday.  I had never seen it before and still don’t quite know what to make of it.  It stars Paul Newman (Cat on a Hot Tin Roof) and Robert Redford (Captain America: The Winter Soldier) as the outlaws of the film’s title, and as best I can tell from extensive Wikipedia research the movie is actually fairly true to history.  It’s the late 1890s, and Butch, the Kid, and their Hole in the Wall gang are making a living robbing banks and trains—until they irritate some big plutocrat and he hires a very dangerous posse to bring them to justice.  So, in the interest of self-preservation, they make some unusual career choices after that.  Although IMDB.com categorizes the film as “Biography, Crime, Drama,” it has a strong comedic element, with Newman providing lots of amusing dialogue, Redford being amusingly laconic, and an oddly jaunty soundtrack playing in the background.  (“Raindrops Keep Fallin’ on My Head” won an Oscar.)  And yet, there is quite a bit of shooting and killing, albeit with very little blood visible.  Katharine Ross of The Graduate fame drops in for a while as the Kid’s love interest, but Butch shows more interest in her than the Kid ever does, and really this movie is a bromance between Butch and the Kid from start to finish.

Anyway, the film held my interest, but I still think it’s kind of an odd bird.  It’s #73 on the American Film Institute’s 2007 list of the 100 greatest American movies, so I guess it’s a classic.

Rifftrax Live: Star Raiders

A new review from the Movie Snob.

Rifftrax Live: Star Raiders: The Adventures of Saber Raine  (B).  The movie riffers were at it again recently, and, although you can’t see it in the theater like I did, you can download this treasure directly from the Rifftrax website if you so choose.  The show opens with a short about telling the truth (although the real lesson seems to be “don’t throw rocks at a towel hanging on a clothesline right in front of a window”).  It’s fine.  The feature is a low-budget sci-fi movie that I have to assume went straight to video.  Casper Van Dien of Starship Troopers fame stars as Han Solo Saber Raine, a roguish mercenary/spaceship pilot who gets hired to help rescue a prince and princess who have been captured by some bad guy in a mask.  Yes, it is a cheesy Star Wars rip-off in the vein of Krull or Spacehunter: Adventures in the Forbidden Zone, but somehow it got made in 2017.  The riffing was average, but the fact that it was ripping off a beloved 40-year-old movie from my childhood made the movie strangely endearing to me.  And Casper’s blond sidekick was kind of cute.

Rifftrax: Octaman

A new review from The Movie Snob.

Rifftrax: Octaman (B-).  I caught the latest Rifftrax live show last night, and if you are so inclined you can catch a rebroadcast at your local theater on April 24.  As you call tell from my grade, I’m not going to insist that you go.  It’s OK, but it’s not one of the gang’s greatest hits.  The appetizer is a short featuring McGruff the Crime Dog in an anti-drug screed.  It’s fine.  The main event is a monster movie that resembles a lamer version of the Creature from the Black Lagoon.  (No surprise, since writer-director Harry Essex also wrote the screenplay for . . . Creature from the Black Lagoon.)  The riffing was fine, but it never reaches giddy heights.  Octaman is only 80 minutes long, so the whole show was only about an hour and thirty-five minutes long.  One of the funniest bits was the song the guys sang at the very end of the show recapitulating the whole movie in three short verses.  Let’s see if the next Rifftrax live show, Star Raiders on June 6, is better.

Mystery Science Theater: 25th Anniversary Edition

DVD review from The Movie Snob.

I have more time on my hands these days, so I’m digging into my large collection of unwatched Mystery Science Theater 3000 DVDs.  This collection, which would be Volume XXVIII but for the 25th Anniversary Edition tag, contains six episodes rather than the usual four.  I think the last two episodes described below had already been released on DVD as standalone episodes.  Anyway, let’s get to this solid but not spectacular collection….

Mystery Science Theater 3000: 25th Anniversary Edition (Volume XXXVIII).

Moon Zero Two  (B-).  This first-season offering features a 1969 production from Hammer, the famed low-budget British horror studio.  The movie is a cheesy “western in space” set on the moon in the early 21st century.  A charisma-free space jockey is recruited for two seemingly independent jobs—help a nefarious plutocrat crash a sapphire-laden asteroid into the far side of the moon and help a beautiful woman find out what happened to her missing brother, a mining prospector on . . . the far side of the moon.  Although the movie is generally terrible, the core ideas aren’t awful, some of the special effects seem pretty okay for the era, and female lead Catherine Schell really is gorgeous.  (She would go on to appear in On Her Majesty’s Secret Service and TV’s Space: 1999, and she kept acting regularly into the 1990s.)  Anyway, the riffing started out pretty strong in this one, but it petered out as the movie went along.  Hence, the lukewarm grade.

The Day the Earth Froze (B).   This is a decent episode.  It starts with a short about a trip to the circus.  The main course is a weird old Finnish-Soviet movie based on a Finnish fairy tale.  A witch kidnaps a fair maiden to coerce her brother, a famed blacksmith, into building the witch a gadget called a “sampo” that can apparently make whatever you want it to.  Then the fair maiden’s boyfriend tries to steal the sampo, leading the witch to steal the sun, thereby threatening to freeze all the nice villagers.  Solid riffing, solid episode.  The real prize on the disc, though, is a short documentary featuring interviews with the original cast members about how MST3K first got started on a local cable channel in Minneapolis-St. Paul.  It really was interesting.

The Leech Woman  (C).  The riffing is only average on this weak 1960 horror movie about a woman who gets hooked on a potion that temporarily restores youth—but unfortunately requires an ingredient that can be obtained only by means of murder!  Extras on the disc include a decent documentary about many (or all?) of the people who acted or provided voice work on Mystery Science Theater 3000 and a short interview with Mary Jo Pehl about her life post MST3K.

Gorgo (B).  Next up is a cheesy 1961 Godzilla ripoff set in Ireland and London.  Decent riffing makes for an above-average episode.  One of the movie’s stars, William Sylvester, actually went on to have a major role in 2001: A Space Odyssey as Dr. Heywood Floyd. And Leonard Maltin makes a special guest appearance on MST!

Mitchell (B).  This was the last MST episode featuring Joel Hodgson as its host.  Joe Don Baker (Mud) stars as Mitchell, a disheveled slob of a cop who plays by his own rules, bucks the police chief, and makes it his mission to nail some sleazy guy for murdering another sleazy guy who was burglarizing the first sleazy guy’s house.  Pretty good riffing, plus Linda Evans (TV’s Dynasty) co-stars in the movie and has to endure a sex scene with the unappealing Baker.

The Brain That Wouldn’t Die (B-).  This was the first MST episode to feature Mike Nelson, who had been a writer for the show for a while, as the host.  The film is a 1962 horror movie about a doctor who has been dabbling in unorthodox experiments.  His love for weird science pays off when his fiancée is decapitated in a car crash; he puts her head in a lasagna pan and keeps it alive in his laboratory while he creepily trolls various nightclubs for a suitable replacement body.  Amusingly, the final title card at the end of the movie changes its name to “The Head That Wouldn’t Die.”  The disc contains a short feature about Joel Hodgson’s leaving MST and a short interview with an actress who appeared (very briefly) in The Brain That Wouldn’t Die.