A movie review from The Movie Snob.
Blade Runner 2049 (C). First, a confession. Although I know I have seen some scenes from the original Blade Runner, I’m not sure I have ever seen the whole movie from beginning to end. But I know the gist of it: in a gritty, dystopian future, a cop (Harrison Ford, (The Force Awakens) has to track down and kill some dangerous rogue androids who are trying to pass as humans. I’ve even read the Philip K. Dick novel on which the movie was loosely based.
In 2049, thirty years after the events of Blade Runner, the future is still gritty and dystopian, and there are still rogue androids (or replicants, as they’re called) needing to be “retired.” The twist is that our protagonist, android hunter K (Ryan Gosling, La La Land), is a replicant himself–and he knows it. The opening sequence has him accomplishing an ordinary mission, but further investigation uncovers a mystery that he spends the rest of the movie (a long 2 hours and 44 minutes) unraveling. The visuals are impressive, the music is deafening, and although I didn’t totally follow the convoluted plot it still mostly held my interest. I thought Robin Wright (Wonder Woman) was very good as the world-weary police chief that K reports to. But I thought the most interesting part of the movie concerned K’s “home life,” so to speak. As a replicant himself, does he have emotions? It appears he has some emotional response, or tries to, to a holographic digital assistant called Joi (Ana de Armas, War Dogs), but flesh-and-blood human beings don’t seem to interest him. His connection with Joi called other movies to mind, particularly her, Ex Machina, and even the recent Marjorie Prime. And it didn’t hurt that Joi herself was stunningly beautiful. Nevertheless, on the whole, the movie didn’t gel for me. It’s too long, the final act isn’t great, and I didn’t think the ending made any sense. And although there are quite a few important female characters, the movie has a misogynistic vibe. So, there you have it.