Tom Hanks embodies Chesley “Sully” Sullenberger in much the way he became Walt Disney. Hanks and Aaron Eckhart (The Dark Knight) as co-pilot Skyles are good partners in this movie. Eastwood does not develop any of the other characters and did not use Laura Linney’s talent–as Sully’s wife, she is seen mostly tearful and on the phone. Anna Gunn (Breaking Bad), as one of the NTSB investigators, is also pretty one dimensional. The movie tells a story we know and still manages to create drama and deliver a hero. Be sure to stay for the credits (surely this goes without saying).
Genius (B). This movie isn’t doing too well with the critics (current score of 56 over at metacritic.com) but I think they are somehow overlooking the fact that Nicole Kidman (Dead Calm) is in the movie. Just kidding! Anyhoo, perhaps my low expectations led me to enjoy it more than I otherwise would have. It’s a biopic about editor Max Perkins (Colin Firth, The King’s Speech) and novelist Thomas Wolfe (Jude Law, Sky Captain and the World of Tomorrow). Back around the year 1929, Wolfe was a manic would-be writer out of North Carolina with a married mistress (played by Kidman), and Perkins was a buttoned-down family man with five daughters. The movie basically just tells the story of their sometimes-difficult relationship as Perkins shaped Wolfe’s thousands of pages into manageable novels that met mainstream and critical success. Other authors that Perkins edited also pop up, like a washed-up F. Scott Fitzgerald (Guy Pearce, Memento) and a macho Ernest Hemingway (Dominic West, 300). And the always-welcome Laura Linney (Mr. Holmes) has a small part as Mrs. Perkins. I thought it wasn’t a bad movie. It may have helped that I had actually read one of Wolfe’s novels, Look Homeward, Angel; you can read my review here and see if it sounds like your cup of tea.
Bonnie and Clyde (B+). I recently got to see a special screening of this 1967 release, directed by Arthur Penn (The Miracle Worker) and starring Warren Beatty (Dick Tracy) and Faye Dunaway (Chinatown). It wasn’t quite what I was expecting, but it was still very interesting and entertaining. Beatty and Dunaway play Depression-era outlaws Clyde Barrow and Bonnie Parker. The fellow who hosted the screening said the movie should be considered “historical fiction,” but, if wikipedia is any guide, one thing this film gets right is that the Barrow Gang didn’t hesitate to shoot people, even (or especially) police officers, who got in their way. It was considered an unusually violent and graphic movie back in the day, and I thought it was still a little shocking at times. I was also shocked to see Denver Pyle in a small supporting role. I knew him only from TV’s Life and Times of Grizzly Adams and especially The Dukes of Hazzard; I didn’t know that he had ever been an actor. It also co-stars Gene Hackman (Heartbreakers), Gene Wilder (Young Frankenstein) in his film debut, and a kid named Michael J. Pollard who had recently appeared in the original Star Trek episode “Miri.” It’s one of Roger Ebert’s “Great Movies.” Definitely worth seeing, unless you really don’t like shoot-em-ups.
Whiskey Tango Foxtrot (B). Based on a true story, this is the story of Kim Baker (Tina Fey, Sisters), a copywriter for some TV network who impulsively accepts an assignment to report on the war in Afghanistan. Of course it’s a whole new alien world for her at first, but another female reporter (Margot Robbie, The Big Short) helps her get adjusted. She encounters other colorful characters, like a crusty but decent Marine colonel (Billy Bob Thornton, Friday Night Lights), the skeezy would-be attorney general of Afghanistan (Alfred Molina, Spider-Man 2), and a rascally Scottish journalist (Martin Freeman, The Hobbitses). And she finds herself enjoying, and even getting addicted to, the adrenaline rush of war reporting. IMDB puts it in the “comedy” and “war” genres, but I thought it played fairly seriously despite occasional comic moments. Anyway, it’s a pretty good movie.
The Lady in the Van (B). The redoubtable Maggie Smith (TV’s Downton Abbey) stars in the title role in this British import. An introverted playwright named Alan Bennett (Alex Jennings, The Queen) has bought a townhouse, and he soon meets neighborhood fixture Miss Shepherd (Smith). She’s an eccentric, excitable, and malodorous homeless woman who lives in a decrepit old van that she occasionally moves up or down the street. The neighbors, being normal people, don’t really want her around, but, also being liberals, they can’t bear to run her off either. Somehow she eventually gets Bennett to let her park in his driveway, and there she stays–for the next 15 years. And apparently this is based on a true story! We get bits and pieces of Miss Shepherd’s backstory, which, as to be expected, is not a particularly happy one. Good performances, but the story is a bit slight and certainly a bit sad.
Peggy Guggenheim: Art Addict (B). Happy MLK Day! As a government employee, I had the day off, so I thought I’d check out this new documentary. I presumed I would have the theater virtually to myself, but surprise! There were probably 60 or 70 other moviegoers there for the 1:15 show. Who’d have thunk it? Anyhoo, I knew nothing about Peggy Guggenheim going in, so this documentary–biopic was very educational for me. PG was born in 1898 and lived until 1979, and in between she became one of the most influential people in the art world, despite having no formal training. Instead she had some money (being an heiress), a good eye, and some excellent advisers, as well as a personality that allowed her to meet and befriend (ahem) many of the artists who came to define the 20th century. Jackson Pollock was apparently one of her discoveries. Anyway, she lived an unconventional and seemingly pretty sad life, but it made for an interesting movie. Among many other things, I learned that both parents of actor Robert De Niro (Stardust) were artists whose work was shown by Guggenheim back in the day. Worth seeing, if you like this sort of thing.