DVD review from The Movie Snob.
Mystery Science Theater 3000: Volume XXVI.
The Magic Sword. (C). I don’t know, somehow this one just should have been funnier. It’s a lame 1962 swords-and-sorcery flick in which Sir George (Gary Lockwood, 2001:A Space Odyssey) has to defeat an evil wizard (Basil Rathbone, The Hound of the Baskervilles) and rescue a beautiful princess (Anne Helm, Follow That Dream). There’s so much material to work with, like George’s six assistant knights who get killed faster than bugs in a Raid commercial, and his inept sorceress foster mother, I don’t know why it wasn’t funnier. The really amazing thing is that director Bert I. Gordon, whose movies were regularly skewered on MST3K, agreed to sit down for a documentary short about his career. What a good sport!
Alien From L.A. (D). Yes, this is the 1988 cheesefest starring Sports Illustrated swimsuit model Kathy Ireland (Necessary Roughness). She plays a clueless loser named Wanda who, through a series of ridiculous events, finds herself playing Indiana Jones in the lost city of Atlantis, far below the earth’s surface. I think the director made her inhale helium before she read every line, because her voice was impossibly squeaky. Unfortunately, the MST guys couldn’t do much with this one. It just wasn’t very funny.
The Mole People. (B). This is a pretty good episode. Some archaeologists (including Hugh Beaumont of Leave It To Beaver fame) find their way into a subterranean world inhabited by an ancient race of albino Sumerians. The top archaeologist, a square-jawed John-Wayne soundalike, subdues the entire race with his trusty flashlight and courts a comely non-albino lass who happens to be among the mole people. Pretty entertaining, with some laugh-out-loud riffs. A decent short documentary about the film also appears on the disc.
Danger!! Death Ray. (B). Another pretty good episode. The movie is a terrible 1967 rip-off of the James Bond movies. Our “hero” is a pretty-boy spy with the unlikely name of Bart Fargo. As one of the riffers comments, there is absolutely no tension or suspense at any point during the movie. But the riffing is the point, and it’s pretty good. The disc includes a short, choppily edited interview with Mike Nelson as a bonus, but it doesn’t really add much value.