Ingrid Goes West

The Movie Snob sounds off.

Ingrid Goes West  (F).

I rarely give a movie an F unless it actually makes me angry.  This one did.

Producer and star Aubrey Plaza (Safety Not Guaranteed) plays Ingrid, a sad, lonely, and mentally ill young woman.  She’s an internet stalker, and the movie opens with Ingrid behaving badly and ending up in a mental institution.  When she gets out of the institution, she finds a new social-media darling to stalk — Taylor Sloane (Elizabeth Olsen, Liberal Arts), a West Coaster who’s always posting stuff about her fabulous life.  So Ingrid takes the small inheritance her recently deceased mother left her and moves to L.A., where she first stalks, then ingratiates herself with, Taylor and her husband Ezra (Wyatt Russell, 22 Jump Street).  Despite Ingrid’s odd behavior, her friendly landlord Dan (O’Shea Jackson Jr., Straight Outta Compton) takes a shine to her.  Because Ingrid is a mentally ill pathological liar, none of this can end well.  Although IMDB lists this movie as both a drama and a comedy, it is not very dramatic and not at all funny.  And my tolerance for movies about mental illness that are anything but tragic is low and getting lower all the time.

*** SPOILER ALERT *** READ NO FURTHER TO AVOID SPOILERS ***

I probably would have given this movie a D, but the ending made me angry.  After Ingrid’s stalking of Taylor has ended in disaster, and she has spent all of her inheritance, she video-records herself confessing to being a weird, lonely loser and then downing a bunch of pills.  Naturally the video “goes viral,” and good-hearted Dan somehow tracks her down and gets her emergency medical attention that saves her life.  (Even though by this point she has nearly gotten him killed in a harebrained scheme to keep her stalking of Taylor from being exposed.)  She wakes up in a hospital room filled with balloons and has a phone filled with uplifting messages from complete strangers.  And she smiles.  End movie.  Isn’t this a strong “triggering” message for sad, lonely, and mentally ill people out there who can’t go more than 5 minutes without checking their smartphones?  Try to commit suicide in front of the whole world and everyone will love you?  I haven’t exhaustively researched this film online, but the few reviews I’ve read don’t mention this at all, so maybe I’m overreacting.  But I thought it sent a terrible message.  And, by the way, it defied belief that Dan would come to her hospital room at the end and be all smiles instead of wanting to strangle her himself.

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The Big Sick

New from The Movie Snob.

The Big Sick  (B).  This is a pleasant and affable little romantic comedy with a couple of twists.  First, it’s apparently based on the star’s real life romancing of his wife.  And second, the main plot point is that the female lead (Zoe Kazan, What If) gets a mysterious illness that puts her into a coma halfway through the movie.  After that, it’s mostly about the fellow, Kumail (Kumail Nanjiani, Life as We Know It) having to deal with the girl’s parents (well-played by Ray Romano, TV’s Everybody Loves Raymond, and Holly Hunter, Thirteen) while their daughter is in potentially mortal danger.  Also, he’s juggling his would-be career as a stand-up comedian and his overbearing Pakistani parents’ attempts to push him into an arranged marriage.  Not everything totally worked for me, but there were enough chuckles, and the leads were likable enough, that I enjoyed it.

Rifftrax Live: Summer Shorts Beach Party

A new review from The Movie Snob.

Rifftrax Live: Summer Shorts Beach Party  (B).  Last night Fathom Events delivered another live show by the Rifftrax usuals (Mike Nelson, Kevin Murphy, and Bill Corbett) and a slew of guest stars (Mary Jo Pehl, Bridget Nelson, Trace Beaulieu, Frank Conniff, and a fellow who was new to me named Paul F. Tompkins).  I assume that by now you know what these shows are–comedians who specialize in riffing on bad movies and other video material.  This time around they aren’t riffing a full-length movie, but rather a bunch of “educational” shorts from I don’t know when–roughly the 50s through the 70s.  Although this wasn’t one of the riffers’ greatest performances ever, I did think it was a solid outing with plenty of decent laughs.  I would say the funniest shorts were (i) an old black-and-white number about a woman who graduates from secretarial school and works her way up in some bland office job, (ii) another black-and-white film about a surly high-school boy whose conscience is trying to get him to stop griping about everything, and (iii) a p.e. film featuring a bunch of dejected elementary-school kids being forced to roll and bounce big rubber balls around for no apparent reason.  I know they sound terrible, but they’re pretty funny when the riffers make wisecracks about them throughout!  The show will be rebroadcast on June 20, so head on over to fathomevents.com if you want more information.

Their Finest

From the desk of The Movie Snob.

Their Finest  (B+).  It doesn’t have the grabbiest title, but this picture by Danish director Lone Scherfig (An Education) is my favorite of the year so far.  The year is 1940, and Catrin Cole (Gemma Arterton, Quantum of Solace) has moved from Wales to London with her artist husband Ellis (Jack Huston, Pride and Prejudice and Zombies).  But his dour art isn’t selling, so Catrin gets a job as a screenwriter on a propaganda film about the evacuation of Dunkirk.  She clashes with the obnoxious head screenwriter Tom Buckley (Sam Claflin, Pirates of the Caribbean: On Stranger Tides), learns to massage the bruised ego of past-his-prime movie star Ambrose Hilliard (Bill Nighy, I Capture the Castle), and generally gets a crash course in the trials and tribulations of moviemaking.  Jeremy Irons (Appaloosa) pops up unexpectedly as a pompous war minister.  The sexism of the era is conveyed effectively without being overdone.  On the whole, I quite enjoyed the movie.

Guardians of the Galaxy Vol. 2

A new review from The Movie Snob.

Guardians of the Galaxy Vol. 2  (D).  The first Guardians movie was a surprisingly fun, comic space opera.  The second, unfortunately, is neither fun nor funny.  The relentless special effects and earsplitting soundtrack add up to, as another critic put it, a “visual and aural assault”—and one that lasts over two hours, for good measure.  There’s a lot going on here, but the main plot involves the encounter between affable space scoundrel Peter Quill (Chris Pratt, The Five-Year Engagement) and his long-lost father Ego (Kurt Russell, Big Trouble in Little China).  It’s always great to see Russell doing his amiable big-lug routine, but even he can’t save this bloated trainwreck.  Almost lost in the clutter are nice supporting performances by Michael Rooker (Tombstone) as the blue outlaw who raised Peter and Elizabeth Debicki (The Great Gatsby) as a beautiful gold alien whose genetically perfect species is remarkably inept at tracking down and blowing up the Guardians.  Skip it.

Rifftrax Live – Samurai Cop

From the desk of The Movie Snob.

Rifftrax Live: Samurai Cop.  (B+)  This is a solid effort by the riffers at Rifftrax.  (I saw the live show last night, but you can catch a rebroadcast next Tuesday night if you like!)  They started with an amusing short, an old black-and-white educational film in which a surly student learns about good manners from a preachy chalk drawing come to life.  Samurai Cop itself is a terrible 1991 knock-off of Lethal Weapon and other buddy-cop movies.  A Japanese gang with almost no Japanese members is getting into the L.A. drug scene, and a muscle-bound samurai cop with long, flowing hair and no discernible martial-arts skills comes up from San Diego to help out.  He and his African-American sidekick mostly drive around shooting people, but the samurai cop occasionally takes a time out to awkwardly hit on or make out with various women who are unfortunate enough to cross his path.  The riffing was very funny, and the movie was amusingly inept in its own right, so I give it a solid thumbs-up.

Be aware, however, that the Rifftrax show is rated R.  I was surprised to see that on my ticket, and it turned out to be because the movie has a lot of profanity in it–also some clumsy sexual banter, and some scenes in which the hero and heroine make out while wearing very small swimsuits.  (According to IMDB there is nudity in the original movie, but the Rifftrax folks deleted that out.)

To my surprise, the red-headed gal who runs with the bad guys in this movie was Gates McFadden’s stand-in on Star Trek: The Next Generation and actually had small parts herself in no fewer than 43 STTNG episodes!  How about that?

The LEGO Batman Movie

A new review from The Movie Snob

The LEGO® Batman Movie  (C). I thought The LEGO Movie was kind of cute, but this sequel really didn’t do it for me.  The animation was kind of cool, but as usual in modern action movies everything moved so fast during the action sequences that I couldn’t even keep up with what was happening, much less appreciate the artistry.  The movie was crammed with references to all the previous incarnations of Batman, including the campy Adam West TV series, and I have to admit I did laugh out loud a few times at some of the off-the-wall references.  And it was kind of fun when the Joker managed to unleash a vast array of bad guys from The Phantom Zone, including Godzilla, King Kong, The Wicked Witch of the West, Voldemort, and even Sauron himself.  But the movie felt overly long, and the plot about Batman’s learning to work with others and to open himself up to a new family was pedestrian.  There was plenty of star power behind the voicework, though: Will Arnett (Blades of Glory) as Batman, Michael Cera (This Is the End) as Robin, Rosario Dawson (Percy Jackson & the Olympians: The Lightning Thief) as Commissioner Gordon, Ralph Fiennes (Harry Potter and the Deathly Hallows: Part I) as Alfred the Butler (rather than Voldemort, for some reason), Siri herself as the computer, and Zach Galifianakis (Birdman) as The Joker, just to name the main ones.