The Salesman

New from the desk of The Movie Snob.

The Salesman  (B-).  This is the new (Oscar©-nominated) movie by Iranian director Asghar Farhadi.  I liked his 2011 film A Separation, and I really liked his 2013 film The Past, so I was looking forward to The Salesman quite a bit.  Suffice to say, it is my least favorite of his films, but it’s still an interesting look at life in contemporary Iran.  Emad and Rana are a happily married couple who unexpectedly find themselves having to move in a hurry when their apartment building threatens to collapse.  A friend offers them a place, but it comes with some baggage—the previous tenant was a woman of doubtful virtue, and she has refused to come back and collect most of her stuff.  Short of options, Emad and Rana take the place.  Then someone—one of the previous tenant’s clients?—enters the apartment and attacks Rana.  Everyone agrees that going to the police would be pointless and would only expose Rana to a lot of painful scrutiny.  So Emad does his own sleuthing to try to find the culprit.  I just didn’t find the story as compelling as Farhadi’s previous films.  I may have missed some of Farhadi’s message because I am not familiar with the Arthur Miller play Death of a Salesman, which gives the movie its title and plays a significant role in the story.  Anyway, it’s worth seeing, but I encourage you to see The Past instead if your taste for subtitled Iranian films is limited.

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