The Lobster

A new review from The Movie Snob.

The Lobster  (C-).  This movie has too much critical buzz–and sounded just too weird–for me to miss.  It’s an allegory or satire or something about the pressure society puts on people to pair off romantically.  In the alternative universe of The Lobster, everyone has to pair off.  If your partner leaves you for another person, you get shipped off to a hotel where you can mingle with loads of other single people.  And if you don’t find a partner within 45 days, you get turned into the animal of your choice and set free.  Remember, I said it was weird.  Anyhoo, Colin Ferrell (Total Recall) is our guide to this insane asylum.  He lands in the hotel at the very beginning of the movie, where he sort-of befriends a guy with a limp (Ben Whishaw, Spectre) and a guy with a lisp (John C. Reilly, Chicago).  Some hotel residents desperately want to find someone, while others seem more or less resigned to their fate.  Oh, and there’s a band of “Loners” (including Léa Seydoux, Spectre, and Rachel Weisz, Agora) running around out in the woods around the hotel–defiantly (and illegally) single people who have their own weird code of conduct about relationships.  What will Ferrell do?  Seek love, join the Loners, or settle for becoming a lobster?  It’s all very weird and artificial and sort of interesting, but I really can’t say I really enjoyed it all that much.

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One comment on “The Lobster

  1. […] to gather mushrooms and returns with Corporal McBurney, a handsome Union soldier (Colin Farrell, The Lobster) with a nasty leg wound.  The ladies’ fascination with the Irishman easily overrides their […]

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