Inside Out

From the desk of The Movie Snob.

Inside Out  (B+).  Pixar has created another winner.  First, there’s a cute short about a lonely volcano out in the middle of the ocean who just wants someone to lava.  <Ba-dum, ching!>  Then there’s the main event.  It’s a simple story about a 12-year-old girl named Riley who is unhappy because her loving parents have moved the family from Minnesota to San Francisco.  But it’s not so simple at all, because we spend most of the movie inside Riley’s head, where her personified emotions run the Riley show–Joy, Sadness, Fear, Anger, and Disgust work at headquarters and do most of the heavy lifting, but in the course of the movie we see that Riley’s psyche is a complex place, with discrete geographic areas for long-term memory, imagination, abstract thought, and her subconscious.  The visuals are a treat, but then we have come to expect that from Pixar.  Amy Poehler (Blades of Glory) is spot on as somewhat-manic Joy, and Phyllis Smith and Mindy Kaling from TV’s The Office voice Sadness and Disgust, respectively.  The liberal-arts major in me wants to critique the film’s psychology–what is the significance of the fact that we have five emotions competing to run Riley’s operating system, with reason nowhere to be seen?–but mostly I was happy to go along for a fun and thought-provoking ride.

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2 comments on “Inside Out

  1. […] Animated Movie.  It had very little competition this year, but no matter—Inside Out richly deserves the honor as best animated movie of the […]

  2. […] heart and stomach on the other.  It’s kind of like a radically shortened and simplified Inside Out.  The main feature is set in a Polynesian South Seas-type milieu.  Moana is the high-spirited […]

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